Hamid Naficy is without doubt one of the world’s major specialists on Iranian movie, and A Social historical past of Iranian Cinema
is his magnum opus. masking the past due 19th century to the early twenty-first and addressing documentaries, renowned genres, and artwork movies, it explains Iran’s extraordinary cinematic creation modes, in addition to the position of cinema and media in shaping modernity and a contemporary nationwide identification in Iran. This finished social background unfolds throughout 4 volumes, each one of which might be liked on its own.
In Volume 3, Naficy assesses the profound results of the Islamic Revolution on Iran's cinema and picture undefined. during the ebook, he makes use of the time period Islamicate, instead of Islamic, to point that the values of the postrevolutionary country, tradition, and cinema have been expert not just by way of Islam but in addition through Persian traditions. Naficy examines documentary motion pictures made to list occasions sooner than, in the course of, and within the quick aftermath of the revolution. He describes how definite associations and members, together with prerevolutionary cinema and filmmakers, have been linked to the Pahlavi regime, the West, and modernity and accordingly perceived as corrupt and immoral. a few of the nation's moviehouses have been burned down. Prerevolutionary motion pictures have been topic to strict assessment and sometimes banned, to get replaced with movies commensurate with Islamicate values. Filmmakers and entertainers have been thrown out of the undefined, exiled, imprisoned, or even completed. but, out of this innovative turmoil, a unprecedented Islamicate cinema and movie tradition emerged. Naficy lines its improvement and explains how Iran's lengthy battle with Iraq, the gendered segregation of area, and the imposition of the veil on girls inspired definite ideological and aesthetic traits in movie and comparable media. eventually, he discusses the structural, administrative, and regulatory measures that helped to institutionalize the hot evolving cinema.
A Social background of Iranian Cinema
Volume 1: The Artisanal period, 1897–1941
Volume 2: The Industrializing Years, 1941–1978
Volume three: The Islamicate interval, 1978–1984
Volume four: The Globalizing period, 1984–2010