By Peter C. Bunnell
John Pfahl is a latest photographic artist whose physique of labor spans the prior thirty years. He makes use of nature as his material, yet introduces components akin to string or aluminum foil, and arranges those fabrics with basic tips of point of view. This e-book covers a few of his earliest paintings, and exhibits his knack for controlling viewpoint to create images that appear flat, yet upon nearer inspection display themselves to be really giant.
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Extra info for Altered Landscapes: The Photographs of John Pfahl
Both of these lenses are superb.
These are quite good and we use some of them with fine results. The L series lenses are made with special lens elements that deliver extremely sharp images, they tend to be faster than EF lenses, and may have other features such as imagestabilization. Of course you pay a price for all of this. 4L USM costs $1120, a difference of $890! Whether the price 27 28 Choosing and Using Lenses difference is worth it really depends on your needs. 4L USM lens is one stop faster than the non-USM lens, so the glass elements are larger, making the lens weigh more.
With the 200 mm lens, using anti-shake technology can deliver sharp hand-held images at 1/50 second shutter speed. It’s clear that anti-shake helps deliver sharp images, but don’t overly rely on it. Too many photographers shoot hand-held at shutter speeds far too slow for handheld photography, with or without anti-shake. We find limited use for anti-shake features in our landscape photography because we shoot on a sturdy tripod whenever possible to have complete control over focus, depth of field, and image sharpness.