By Emily Berry
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Extra resources for A Teacher's Guide to World War One: A History in Documents (Pages from History)
Next, address projects in progress to make sure they are completed in a timely manner. Proceed then to new items. Allowing for some ﬂexibility, list who will speak on what topic, for how long, and in what order. Do not let one person monopolize the meeting, especially if this keeps others from making reports that they have prepared. When a problem arises that cannot be resolved in a few minutes, ask a small group to work on it and report back at the next meeting. Respect others’ commitments and end your meetings on time.
There were holes in the roof as big as chairs, so there was literally standing rotten water on top of all this black lard. We had to get volunteers in there and shovel it out. 25 26 PART I GROUNDWORK How were you able to use such a space? The ﬁrst year or two, we just used the building as it was and it was amazing. We even had shows in the middle of winter when it was thirty below and people would come! It got a lot of attention. We stopped that though, because at Minnesota winter temperatures there were endless problems—artists got frostbite, paint wouldn’t dry, glue wouldn’t work.
Billboard corrections are likely to be illegal. The last kind of guerrilla art we discuss may be the most common. Grafﬁti can be considered vandalism, gang activity, or the purest urban art form, depending on who is talking. An interview with grafﬁti artist Barry McGee appears at the end of 35 36 PART II GETTING YOUR WORK OUT AND SEEN this chapter. com. The Giant stickers are marked by distinct graphics, but essentially deal with absurdity, the culture of consumption, and urban paranoia. The relationship between the prominent guerrilla artists and the rest of society is complex.