By Edward Hirsch
A significant addition to the literature of poetry, Edward Hirsch’s gleaming new paintings is a compilation of types, units, teams, events, isms, aesthetics, rhetorical phrases, and folklore—a booklet that each one readers, writers, lecturers, and scholars of poetry will go back to over and over.
Hirsch has delved deeply into the poetic traditions of the realm, returning with an inclusive, overseas compendium. relocating gracefully from the bards of historic Greece to the revolutionaries of Latin the USA, from small formal components to giant mysteries, he offers considerate definitions for crucial poetic vocabulary, imbuing his paintings with a life of scholarship and the heat of a guy dedicated to his art.
Knowing how a poem works is vital to unlocking its that means. Hirsch’s entries will deepen readers’ relationships with their favourite poems and open larger degrees of figuring out in every one new poem they come across. Shot via with the keenness, authority, and sheer satisfaction that made How to learn a Poem so loved, A Poet’s Glossary is a brand new vintage.
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Extra info for A Poet's Glossary
No. 2. By the brokenness of his composition the poet makes himself master of a certain weapon which he could possess himself of in no other way. The speed of the emotions is sometimes such that thrashing about in a thin exaltation or despair many matters are touched but not held, more often broken by the contact. II. No. 3. The instability of these improvisations would seem such that they must inevitably crumble under the attention and become particles of a wind that falters. It would appear to the unready that the fiber of the thing is a thin jelly.
But the thing that stands eternally in the way of really good writing is always one: the virtual impossibility of lifting to the imagination those things which lie under the direct scrutiny of the senses, close to the nose. It is this difficulty that sets a value upon all works of art and makes them a necessity. The senses witnessing what is immediately before them in detail see a finality which they cling to in despair, not knowing which way to turn. Thus the so-called natural or scientific array becomes fixed, the walking devil of modern life.
Technology completed it. William Carlos Williams anticipated it. Williams was our forebear, and if our time had any saintly men he was among them. We live in a world where no one, neither God nor Caesar, is in charge. Our evils appear to be giants beyond personal reach. Our acts of holiness are performed by advisory committees. Daily existence often seems to be a demoralizing routine of psychological drudgery, physical tedium, and socially induced guilt. Our words usually mean something else. Like Dr.