By Gregory Georges, Larry Berman, Chris Maher
* within the excellent spouse to the bestselling 50 quick electronic picture recommendations (0-7645-3578-1), 3 hugely acclaimed expert photographers percentage 50 all-new speedy, effortless, and robust digicam tips either pros and inventive amateurs can learn how to use virtually instantly
* the place the 1st publication eager about electronic enhancing innovations, this one explores utilizing electronic cameras, lights, filters, and ideas to supply expert effects with "wow!"
* Lavishly illustrated with wonderful expert photos
* Cross-platform for home windows and Mac, and tailored for the exploding electronic images market
* spouse website and CD-ROM are either full of all pictures from the e-book in addition to worthy utilities
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Extra info for 50 Fast Digital Camera Techniques (50 Fast Techniques Series)
Light entering the camera is controlled in three important ways: the amount of time the shutter is open, the size of the lens opening, and the ISO setting. The role of the ISO setting was discussed earlier in Technique 2. The larger the lens opening, the faster the light exposes the image sensor or film. The corollary is the smaller the lens opening, the longer the shutter will have to be open in order to allow the same amount of light in to expose the sensor or film. The size of the lens opening (or aperture) is referred to as the f-stop.
You realize how valuable this feature can be after you start storing and archiving your digital photos. ” When this feature is on, image files will be sequentially numbered — even when you remove the digital photo storage media and use a new one. The camera remembers the number of the last photo regardless of which digital photo image media was in the camera last. If you don’t have, or you don’t use this feature, you will find that you have files with the exact same filename! Each time you remove a card and download the images to your computer, the digital camera starts numbering at 1 again.
0). Longer shutter speeds (1/60th or 1/30th) are more likely to be blurred than shorter shutter speeds (1/250th or 1/400th). When shooting low-light scenes, increasing the ISO setting (say, from 50 ISO to 200 ISO) allows the image sensor to capture more light more quickly, allowing the use of a faster shutter speed, or a smaller aperture setting. But this increased ISO setting increases the amount of digital noise. These are the fundamental trade-offs of all cameras, film or digital. When thinking about this concept, you may wonder why photographers care so much about which combination of f-stop and shutter speed they use if different combinations result in the same level of light entering the lens.